Media
WRTI Philadelphia Reginald Mobley Interview, February 1, 2024
Textura Review of In Her Hands, December, 2023
Early Music America review of In Her Hands, October 23, 2023
Santa Rosa Press Democrat AGAVE feature, September 30, 2023
"AGAVE: In Her Hands Press Release" Acis label press release, September 5, 2023
"As Her Music Is Reconsidered, a Composer Turns 135. Again.
The work of Florence B. Price is having a renaissance, and new, foundational details about her life and racial identity are still being discovered." New York Times, April 7, 2023
"Bach’s many unsung relatives to be honored at La Jolla’s Athenaeum" San Diego Union Tribune, February 26, 2023
"WCLV's 2022 Recording of the Year" Cleveland Classical Radio, December 30, 2022
“Mobley’s sound, suffused with gentleness, is as comforting as a warm blanket” – Joanne Sydney Lessner, Opera News, March, 2022 “We are, thankfully, at last becoming aware of the rich seam of composers of color who have been sidelined by history. – The songs by Price are highlights, with the likes of ‘Tobacco’ wonderfully cheeky.” – Michael Beek, BBC Music Magazine – “Mobley has one of the sweetest countertenor voices I’ve heard. He sings with an agile style and beautiful tone. The playing of the early music group, Agave, on period instruments is precise and stylish. This most welcome program—’a new canon for a new world’—is beautifully recorded.” “…rich, timeless pieces that explore much culture… Mobley and company offer a very worldly listen, where they celebrate composers from the last few centuries from all over the Americas who are of color, and they do it with much poise in its chamber, classical, orchestral and baroque appeal.”
“the music has an appealing kind of unity, forged partly by Mobley’s creamy countertenor voice. It is also partly due to the work of Agave, which has a certain let-down-your-hair quality here”
– James Manheim, allmusicStephen Smoliar reviews The Fantastical Mister Biber in San Francisco, May 22, 2017
"A distinguished national early music group, Agave Baroque, made its Seattle debut last Tuesday night at Trinity Parish Church with a superbly played and sung program of music by a composer virtually unknown to most of us..."
—The Sunbreak (Seattle), September 26, 2015
—Ravalli Republic, September 19, 2015
Friends of Ferdinand
Agave Baroque
VGo Recordings VG1021
www.vgorecordings.com
The title refers to Ferdinand I and II, Hapsburg Holy Roman Emperors, and five composers at the courts of Vienna and Salzburg, two of them well-known (Johann Heinrich Schmelzer and Heinrich Ignaz Franz Biber) and three of them now in total eclipse (Antonio Bertali, Marco Antonio Ferro, and Giovanni Battista Granata).
The marriage of serious liturgical music and lively profane court music was known as stylus fantasticus--or as Schmelzer called his collection dedicated to the style, Sacro-profanus concentus musicus fidium. Agave Baroque, led by the brilliant violinist Aaron Westman, makes an effulgent case for this early- to mid-17th-century music. This recording immediately engages the listener with a sprightly Chiacona by Bertali, establishing Agave Baroque as an energized, free-spirited group from the start. Schmelzer and Bertali were violin virtuosi, and the repertoire is, to quote the CD notes, "...characterized by a melting pot of disparate styles, some new, some old, and all at once groundbreaking, sublime, unique, and vibrant." Harpsichord (JungHae Kim), viola da gamba (Shirley Hunt), and Baroque guitar (Kevin Cooper) round out the instruments on the disc, with Cooper mostly supporting the profound violin playing of Westman but also shining as a soloist in Granata's Sonata di Chitarra, e Violino con il suo Basso Continuo.
This young group of Californian virtuosi have created a strong future reference for this little-known repertoire and a great follow-up to their widely acclaimed premiere recording Cold Genius: The music of Henry Purcell and his contemporaries, released in 2012.
—Paul-James Dwyer, Early Music America, Fall 2014
"Another audience favorite was Agave Baroque 's concert of music by Biber and his contemporaries. Rapturous music and impressive playing by Aaron Westman, Shirley Hunt, Kevin Cooper, JungHae Kim, and their guests kept the audience entranced. As one concert-goer put it, "I was blown away ... the performance was just about perfect!"
— Early Music America
"I recently had the good fortune of hearing probably one of the most exquisite performances of my life. In the tea room at the Museum of Jurassic Technology, packed so full that it was sweltering inside despite the cold outside, I heard Agave Baroque present a program of works by Henry Purcell and some of his contemporaries on period instruments. The harpsichord alone seemed to take up 1/3 of the room. Henry Purcell’s complete set of secular songs on Hyperion has been getting a lot of play in my headphones lately, and I was quite excited for this concert. Nothing, however, could have prepared me for this performance, which was just… I mean… there is nothing that I can really say to give justice to it, except to say perhaps that if you were not there, you missed out on a rare treat."
— Scout Network Blog
Chamber Music Day | SAN FRANCISCO FRIENDS OF CHAMBER MUSIC
BY MICHAEL ZWIEBACH
Bay Area's Agave Baroque to play music from Hapsburg Court | azstarnet.com